Death Proof [SOUNDTRACK]
Original Soundtrack
http://rapidshare.com/files/71992590/DeathProof-OST.rar
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| 1. The Last Race - Jack Nitzsche |
| 2. Baby, It’s You - Smith |
| 3. Paranoia Prima - Ennio Morricone |
| 4. Planning & Scheming - Eli Roth |
| 5. Jeepster - T Rex |
| 6. Stuntman Mike - Kurt Russell |
| 7. Staggolee - Pacific Gas & Electric |
| 8. The Love You Save (May Be Your Own) - Joe Tex |
| 9. Good Love, Bad Love - Eddie Floyd |
| 10. Down In Mexico - The Coasters |
| 11. Hold Tight - Dave Dee |
| 12. Sally And Jack - Pino Donaggio |
| 13. It’s So Easy - Willy DeVille |
| 14. Whatever-However - Tracie Thoms |
| 15. Riot In Thunder Alley - Eddie Beram |
| 16. Chick Habit - April March |
Editorial Reviews
Amazon.com
Directors Quentin Tarantino and Robert Rodriguez spent $53 million to pay loving tribute to the vintage hundred-thousand-dollar exploitation fare that inspired Grindhouse’s two-movies-for-the-price-of-one thrill ride. Tarantino’s half of the exercise (which also includes Robert Rodriguez’s self-scored Planet Terror) features another effusive slice of the director’s eclectic musical sensibility to underscore its manic tale of stuntman/psycho-killer Kurt Russell and his muscle-car-fueled exploits. Tarantino works from a familiar formula that variously mixes evocative, semi-obscure Italian film cues from Morricone and Dinaggio, contrasting slices of ’60s catalog from the great Jack Nitzsche and Brit Invasion also-rans DDDBM&T and some ’70s fodder from both ends of the Top 40 via Smith and T. Rex, also stirring in a savory mid-disc run of R&B that stretches from PG&E’s upbeat read of “Stagger Lee” through more familiar fare from Joe Tex, Eddie Floyd, and the Coasters. The director also serves up a couple of those deliciously off-kilter obscurities that have come to be his musical trademark as a coda: Eddie Beram’s thumping “Riot in Thunder Alley” and April March’s infectious ditz-pop take on Serge Gainsbourg’s loopy “Chick Habit.” –Jerry McCulley
Directors Quentin Tarantino and Robert Rodriguez spent $53 million to pay loving tribute to the vintage hundred-thousand-dollar exploitation fare that inspired Grindhouse’s two-movies-for-the-price-of-one thrill ride. Tarantino’s half of the exercise (which also includes Robert Rodriguez’s self-scored Planet Terror) features another effusive slice of the director’s eclectic musical sensibility to underscore its manic tale of stuntman/psycho-killer Kurt Russell and his muscle-car-fueled exploits. Tarantino works from a familiar formula that variously mixes evocative, semi-obscure Italian film cues from Morricone and Dinaggio, contrasting slices of ’60s catalog from the great Jack Nitzsche and Brit Invasion also-rans DDDBM&T and some ’70s fodder from both ends of the Top 40 via Smith and T. Rex, also stirring in a savory mid-disc run of R&B that stretches from PG&E’s upbeat read of “Stagger Lee” through more familiar fare from Joe Tex, Eddie Floyd, and the Coasters. The director also serves up a couple of those deliciously off-kilter obscurities that have come to be his musical trademark as a coda: Eddie Beram’s thumping “Riot in Thunder Alley” and April March’s infectious ditz-pop take on Serge Gainsbourg’s loopy “Chick Habit.” –Jerry McCulley
-- Danilo
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